In Ispahan, Persia, Hajji Baba is leaving his father's shop to seek a greater fortune, while the Princess Fawzia is trying to talk her father, the Caliph into giving her in marriage to ...
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Stan, who has remained faithfully at his World War I post for twenty years, finally comes home where his best friend, Ollie, takes him in, thus allowing him to discover the many conveniences of the modern world.
The story is about Iris' rise to the apex of a love/power triangle that includes her roguish English lover McHeath and Art, an earnest young boxer. Within the flawed moral landscape, each character struggles to establish their sovereignty.
In Ispahan, Persia, Hajji Baba is leaving his father's shop to seek a greater fortune, while the Princess Fawzia is trying to talk her father, the Caliph into giving her in marriage to Nur-El-Din, a rival prince known far and wide as mean and fickle. Her father intends Fawzia for Fawzia to marry a friend and ally, and makes plans to send her to him. But a courier brings word from Nur-El-Din that an escort awaits Fawzia on the outskirts of the city and she escapes the palace disguised as a boy. Hajji encounters the escort-warrior at the rendezvous spot, is attacked and beats up the escort with his barber's tools. The princess arrives and mistakes Hajji as the escort until he mistakes the emerald ring sent by Nur-El-Din to Fawzia as the prize to be delivered. In her efforts to escape him, her turban becomes unbound and Hajji realizes that the girl herself is the treasure Nur-El-Din awaits. Hajji promises to escort her and they spend the night with the caravan of Osman Aga, who invites ...Written by
Les Adams <firstname.lastname@example.org>
A classic "B" movie from the 50's, this film features numerous women dressed up like a Vargas painting. I don't remember much about the movie other than a slave girl gets tied down to a table and the soles of her feet are lightly cropped, that Haji encounters a band of Amazon-style women warriors, and that Elaine Stewart's character is captured and bound to a frame until Haji comes to her rescue. No nudity, no harsh language, nothing offensive, just the usual damsels in distress. Since the film was made in the fifties, you can bet that those scanty costumes are sewn onto flesh-colored bodysuits. Still, the slave girl cropping is a bit risque for the time and may be worth seeing.
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