Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
High profile San Francisco Police Lieutenant Frank Bullitt is asked personally by ambitious Walter Chalmers, who is in town to hold a US Senate subcommittee hearing on organized crime, to guard Johnny Ross, a Chicago based mobster who is about to turn evidence against the organization at the hearing. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Bullitt and his team of Sergeant Delgetti and Detective Carl Stanton have Ross in protective custody for 48 hours over the weekend until Ross provides his testimony that upcoming Monday. Bullitt's immediate superior, Captain Samuel Bennet, gives Bullitt full authority to lead the case, no questions asked for any move Bullitt makes. When an incident occurs early during their watch, Bullitt is certain that Ross and/or Chalmers are not telling them the full story to protect Ross properly. Without telling Bennet or an incensed Chalmers, Bullitt clandestinely moves Ross while he tries to find out who is after ...Written by
The film's famous chase scene wasn't originally in the script. In the first draft of this movie, adapted from Robert L. Fish's novel "Mute Witness", Detective Frank Bullitt was a Boston policeman who ate a lot of ice cream and never solved a case. The book had originally been bought with Spencer Tracy in mind; but with Tracy's death, the property fell into the hands of Steve McQueen and Producer Philip D'Antoni. D'Antoni added the chase, and changed the location to San Francisco. See more »
When the detective in the hotel with Ross calls Bullitt at 1:00am, Bullitt says he will be there in 5 minutes. Yet when he gets there multiple police, ambulances, and detective Delgetti are already there. See more »
Who else knew where he was?
Who else knew where he was?
What are you implying?
Well, they knew where to look for him, and they used your name to get in.
Are you suggesting I disclosed his whereabouts?
Well, somebody did. And it didn't come from us.
See more »
During the car chase, when the Charger goes wide on a corner and hits a camera, the film was salvaged and red frames added at the end, to give a "point of impact" impression. Despite this gag being in situ for decades, on the current Cinemax Asia print, someone has seen fit to completely remove these last frames of the shot. See more »
McQueen was really the King of Cool. I have read many comments here about this film, and some say it is slow, some say it is an action thriller. Thrilling it is! Steve did not have to jabber in every scene to dominate this film. The car chase is unequaled to this day. How can anything on the road in later years compare to the "muscle cars" of the late 60s? But Steve was the star, make no mistake, and even though the dialogue was minimal, it was enough. Steve McQueen had that power on the screen. He remains one of Hollywood's best, even though he passed away over twenty years ago. We will not see the likes of him for many more years. Women loved him, men loved him too. If you have not seen many of his films, watch any you can. Watch him in Tom Horn (1980), and Papillon (1973). Try The Getaway (1972), Junior Bonner (1972)and the humorous The Reivers (1969). Of course, The Sand Pebbles (1966) , The Great Escape (1963), and the ever classic The Magnificent Seven(1960) are among his most popular films. You never go wrong with any of these.
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