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The Elephant Man (1980)

A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.

Director:

David Lynch

Writers:

Christopher De Vore (screenplay), Eric Bergren (screenplay) | 3 more credits »
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1,782 ( 585)
Top Rated Movies #147 | Nominated for 8 Oscars. Another 10 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anthony Hopkins ... Frederick Treves
John Hurt ... John Merrick
Anne Bancroft ... Mrs. Kendal
John Gielgud ... Carr Gomm
Wendy Hiller ... Mothershead
Freddie Jones ... Bytes
Michael Elphick ... Night Porter
Hannah Gordon ... Mrs. Treves
Helen Ryan ... Princess Alex
John Standing ... Fox
Dexter Fletcher ... Bytes' Boy
Lesley Dunlop ... Nora
Phoebe Nicholls ... Merrick's Mother
Pat Gorman ... Fairground Bobby
Claire Davenport Claire Davenport ... Fat Lady
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Storyline

John Merrick (whose real name was Joseph, as this is based on a true story) is an intelligent and friendly man, but he is hated by his Victorian-era English society because he is severely deformed. Once he is discovered by a doctor, however, he is saved from his life in a freak show and he is treated like the human being that he really is. Written by Sam Cibula

Plot Summary | Plot Synopsis

Taglines:

I am not an animal! I am a human being! I...am...a man!

Genres:

Biography | Drama

Certificate:

12 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English

Release Date:

15 January 1981 (Netherlands) See more »

Also Known As:

El hombre elefante See more »

Filming Locations:

Broadgate, London, England, UK See more »

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Box Office

Budget:

$5,000,000 (estimated)

Gross USA:

$26,010,864, 31 December 1981
See more on IMDbPro »

Company Credits

Production Co:

Brooksfilms See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

David Lynch narrowed his choices for the Cinematographer down to two names; Christopher Challis, who was considered a safe pair of hands, or Freddie Francis, who Lynch considered to be a much more talented Cinematographer, but hadn't worked in that role since 1964. Lynch decided to go with his gut instinct and hire Francis after Producer Stuart Cornfeld told him that, "No one ever made it big by being a pussy." See more »

Goofs

When Frederick Treves is bring up the oatmeal to John Merrick and Carr Gomm startles him he puts the oatmeal behind his back as to hide it from him. In the next shot he has the oatmeal in front of him and puts it behind his back again while he is walking towards Carr Gomm. See more »

Quotes

[first lines]
Skeleton Man: Get rid of them! I don't want to see them!
Fat Lady: Darling, don't be difficult! Let's take our sweet lovely children on an outing.
See more »

Crazy Credits

Closing disclaimer: This has been based upon the true life story of John Merrick, known as The Elephant Man, and not upon the Broadway play of the same title or any other fictional account. See more »

Connections

Referenced in Soap: Episode #4.8 (1981) See more »

Soundtracks

Adagio for Strings, Op. 11
Composed by Samuel Barber
Performed by London Symphony Orchestra
Conducted by André Previn
See more »

Frequently Asked Questions

See more »

User Reviews

 
A Masterpiece, Truly Remarkable
10 May 2004 | by mhs_njrotc2004See all my reviews

David Lynch is a remarkable director and The Elephant Man is a remarkable film. Inspired by a true story in the streets of London during the Victorian Age, the film is based entirely around the life of John Merrick (John Hurt), an individual dubbed by his `owner' Bytes (Freddie Jones) and others as 'The Elephant Man' because of his hideous deformities. With this film, Lynch grasps his audience and stretches them to a new parallel of an emotionally capturing film. And what makes this so daunting and so intriguing is the fact that 'The Elephant Man' is a true story, no part of it is fictional. Anthony Hopkins plays Dr. Frederick Treves, the man who somewhat saves John from those who persecute him for being a freak, being a `monster.' A story of human triumph could never be so remarkable as that of The Elephant Man. Lynch takes The Elephant Man to a new level of technical aspiration with a dark, dank setting shot completely in black and white. This film is amazing and would undoubtedly be just okay any other way. The black and white adds to the story in a way that touches the audience much deeper and much more personal. Not to mention stunning performances and dialogue by all cast, `David Lynch's portrait of John 'The Elephant Man' Merrick stands as one of the best biographies on film.' Literary critic Leslie Fiedler maintains that freaks stir `both supernatural terror and natural sympathies' because they `challenge conventional boundaries between male and female, sexed and sexless, animal and human, large and small, self and other.' In this very interesting and moving film, we are challenged to clarify our values in regard to `very special people.' However, in one powerful scene of tension and curiosity, John Merrick screams out, `I am not an animal! I am a human being! I.am.a man!' This particular sequence, I believe, is incredible and it ties in with the whole focus of the film itself, human dignity and emotion. David Lynch is known for some pretty twisted films, and yet, The Elephant Man is not that twisted at all. Even though his audience views John Merrick as not the average person because of his medical condition, the story is cherished because of how it is put onto the big screen. Compared to his other films such as Blue Velvet and Eraserhead, The Elephant Man is more surreal in terms of what Lynch was going for. Lynch does a magnificent job in portraying his version of The Elephant Man, and many people along with critics alike agree. I can easily rate The Elephant Man with four stars because David Lynch deserves no less. The Elephant Man is a classic, a striking and devastating film depicting the account of John Merrick's search for a dignified and normal life. I would definitely recommend this film to those in search of a wonderful story about one man's conquest to a regular life. Dr. Treves' account with John not only presents him with respect and normalcy, but also takes him as far as an uplifting scene where upon John states `my life is full because I know I am loved.' With such an inspirational and true story, David Lynch puts on a film that should be loved by many, if not all.


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