Eccentric Vietnam War vet turned janitor claims to have witnessed a murder of a man tied to international political underground in order to get the attention of a TV reporter he has a huge crush on. The cops suspect his loser best friend.
While trying to escape from the Soviet Union, a Soviet Jewish man is locked in a mental institution, where he gets brutally tortured for several years. After his release, he's able to ... See full summary »
F. Murray Abraham,
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Manhattan janitor Daryll Deever is fixated on hard-charging TV commentator, Tony Sokolow; he tapes her commentary daily to watch after work. When a wealthy Vietnamese man, with many shady connections, is murdered in the office building where Daryll works, Tony shows up to cover the story and Daryll introduce himself. She thinks he may know something, so she pursues him; he pretends he might to keep her interested. This romantic cat and mouse game goes on under the watchful eyes of the killers, who think that Daryll and Tony do know something. The killers start their own game of cat and mouse.Written by
The climax of the picture takes place in a riding-stable where the horses 'live' upstairs and come and go via a series of ramps: this was clearly filmed at (or on interior-recreations of) the Claremont stables, close to Central Park ,one of the last of its kind in central New York City and which is now sadly extinct. See more »
There is a security camera very obviously placed in the outer office outside of where the murder takes place, yet during the investigation no mention is made of it. However, perhaps (circa 1981) it's a closed-circuit, live feed only (no recordings made), and no one viewing the live security screens noticed anything unusual. See more »
William Hurt stars as the brooding janitor in this sub-Hitchcockian thriller directed by Peter Yates (Bullitt). No-one in the film is quite what they seem, and Hurt plays the role of ambivalent hero/anti hero intelligently. Sigourney Weaver shows what a fine actress she really is whilst Christopher Plummer adds gravitas to the proceedings. Like Benton's Still Of The Night the film is well-crafted and often intriguing. Definitely well worth watching.
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