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Fallen Angels 

Fallen Angels is an American neo-noir anthology television series that ran in 1993 and 1995 on Showtime, and was produced by Propaganda Films. No first-run episodes were shown in 1994.
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Episodes

Seasons


Years



2   1  
1995   1993  
Nominated for 3 Primetime Emmys. Another 3 wins & 15 nominations. See more awards »

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Cast

Complete series cast summary:
Miguel Ferrer ...  Prologue Narrator / ... 6 episodes, 1995
Lynette Walden ...  Fay Friendly - Host 6 episodes, 1993
Dan Hedaya ...  Auger / ... 4 episodes, 1993-1995
Bernard Hocke Bernard Hocke ...  Customer #2 / ... 3 episodes, 1995
Peter Berg ...  Augie / ... 2 episodes, 1995
Wayne Grace ...  Pat Marino / ... 2 episodes, 1993-1995
Grace Zabriskie ...  Bartender / ... 2 episodes, 1995
Patrick Masset Patrick Masset ...  Joe Helgeson / ... 2 episodes, 1993
Alpheus Merchant Alpheus Merchant ...  Janitor 2 episodes, 1993-1995
Peter Gallagher ...  Dr. Yorgrau / ... 2 episodes, 1993
Barbara Howard Barbara Howard ...  Janice / ... 2 episodes, 1995
Johanna Went Johanna Went ...  Female Motorist / ... 2 episodes, 1995
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Storyline

Fallen Angels is an American neo-noir anthology television series that ran in 1993 and 1995 on Showtime, and was produced by Propaganda Films. No first-run episodes were shown in 1994.

Plot Summary | Add Synopsis


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Details

Country:

USA

Language:

English

Release Date:

1 August 1993 (USA) See more »

Also Known As:

24 Horas para a Morte See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in Honest Trailers: Die Hard (2015) See more »

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User Reviews

If only all TV was as challenging as this.
24 February 2000 | by alice liddellSee all my reviews

Trust Steven Soderbergh to make dangerous and thrilling a safely nostalgic TV show. His film, 'The Quiet Room' is an extension into noir of his SEX, LIES AND VIDEOTAPE subject matter, and provides a bridge between it and his later generic forays: the private, sexual space in the public domain; the Genetesque rites of sex and power, one corrupting the other (and vica versa); the malaise of middle-class inadequacy; the ultimate failure of all relationships because of lack of communication (this film begins the father/daughter problematic essayed so hauntingly in THE LIMEY). Brilliantly, painfully funny, the film is more stylistically imaginative than a TV programme has any right to expect.


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