New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos. They relay a story to their friends and acquaintances that over time becomes legendary. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting...Written by
Ouisa Kittredge (Stockard Channing) is based on Inger McCabe Elliott, a New York City socialite, and friend of Screenwriter John Guare. Elliott encountered David Hampton in 1983, and told Guare about the story. See more »
When making the toast at dinner with Goeffrey, the chair to Paul's right changes positions. See more »
Is anything gone?
How can I look, I'm shaking!
I want to know if anything's gone!
We could have been killed! Oh, my God! The Kandinsky!
It's gone, oh my God! Call the police!
Oh, no, there it is. Oh! The silver Victorian inkwell!
[...] See more »
Overlooked and thoughtful examination of many salient barriers
A fantastic script bolstered by excellent performances, pleasant visuals, and steady directing. Once 'Six Degrees' truly gains momentum and once the characters become fleshed out (usually aided by the insertion of complementary characters), the issues tackled in the film start to weigh heavily.
There are so many worthwhile concepts at play here, particularly the latent desire for those separated by a societal barrier (race, class, age, etc.) to reconcile and to look more closely at one another.
The ending was fantastic; it may be frustrating to some viewers given its ambiguity, but that's what I loved about it. The events that occurred in the film would not be done any justice by neatly wrapping them up at the conclusion. There are too many disparate forces and influences on the characters, especially Ouisa. The important thing, however, is how she embraces her new experiences and allows them to challenge her and contemplate if her life is how she wants it to be.
Highly, highly recommended.
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