Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
Set right after World War II, a naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth... See full summary »
The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop, and where Phil's ex-wife Shelly and her lover Sandra run a beauty salon, yet Phil and Shelly haven't talked in the ten years since she bolted. Shelley's just found out her cancer is terminal, and Ray Roberts, the reigning underhanded hairdressing champion, blows into town taunting Phil for retreating from competitive styling into barbering. Roberts also brings his daughter, Christina, who remembers Brian from when she was a little kid (as does he her). Everything's set: Brian decides to enter the competition with his mom and Sandra. Will Phil join in? Ray wants to win at any costs. Will Christina go along?Written by
Josh Hartnett was attracted to the project because it was the chance to do something he'd never tackled before. He found the Yorkshire accent particularly challenging. See more »
When Tony is first being shown the flip board (bought from Leeds Train Station) that lists all of the salons, The Cut Above is listed among the other salons, even though they had not even registered to compete at that point. See more »
I thought this film was wonderful, a slushy feel good film with classic Shakespearian sub-plots. What is most poignant is that it depicts a town that is disappearing in England. Films like this are social documents. If people don't act like this, then this is how we would like to have historians of the future remember us.
It's nice to have films about people and places that are not normally considered glamorous.
It's funny, thoughtful and a gentle story. No violence, no car chases, no sex. A bit of swearing, but that's part of normal language nowadays.
I loved the compère moving from his mayoral robes to night club glitter jacket through the competition. I loved the young ones falling in love. I loved the closure on the separation.
I'm sure some cinematographer could have done more with the visuals of the hair cutting but this was a narrative film. It had a story, and I will add it to my collection of British movies.
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