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6.5/10
62,591
349 user 160 critic

Changing Lanes (2002)

Trailer
2:24 | Trailer
The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.

Director:

Roger Michell

Writers:

Chap Taylor (story), Chap Taylor (screenplay) | 1 more credit »
7 nominations. See more awards »

Videos

Photos

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Cast

Cast overview, first billed only:
Ben Affleck ... Gavin Banek
Samuel L. Jackson ... Doyle Gipson
Kim Staunton ... Valerie Gipson
Toni Collette ... Michelle
Sydney Pollack ... Stephen Delano
Tina Sloan ... Mrs. Delano
Richard Jenkins ... Walter Arnell
Akil Walker Akil Walker ... Stephen Gipson
Cole Hawkins Cole Hawkins ... Danny Gipson
Ileen Getz ... Ellen
Jennifer Dundas ... Mina Dunne (as Jennifer Dundas Lowe)
Matt Malloy ... Ron Cabot
Amanda Peet ... Cynthia Delano Banek
Myra Lucretia Taylor Myra Lucretia Taylor ... Judge Frances Abarbanel
Bruce Altman ... Terry Kaufman
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Storyline

The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.

Plot Summary | Add Synopsis

Taglines:

One Wrong Turn Deserves Another See more »

Genres:

Drama | Thriller

Certificate:

12 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

5 December 2002 (Netherlands) See more »

Also Known As:

Fuera de control See more »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$17,128,062, 14 April 2002, Wide Release

Gross USA:

$66,818,548

Cumulative Worldwide Gross:

$94,935,764
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TV)

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In order to attract a wider audience, the theatrical trailer was arranged in such a way as to make the film look like a high octane thriller, as opposed to the rather slow moving drama it actually was. This move was heavily criticized for misleading moviegoers. See more »

Goofs

On Good Friday in New York City all public schools are closed. None of the plot dealing with the two school children is possible on this date. See more »

Quotes

[first lines]
Doyle Gipson: Think I'll make this the boys' room.
See more »

Crazy Credits

Thanks to the staff and Militia Force members and veterans at the Marcy Avenue Armory, Brooklyn, New York. See more »

Alternate Versions

There was an early review of the movie that contained a spoiler of the ending. The ending that was originally used involved Ben Affleck and Samuel L. Jackson getting into a fist fight that leads onto the balcony. They talk about right and wrong and Affleck takes the file and tears it up and the movie fades to credits. This ending was most likely cut because test audiences did not like it. It will most likely appear on the DVD. Also a small clip shown in the TV ads shows Affleck and Jackson fighting on the balcony. This was part of the original ending which explains why it was cut. See more »

Connections

Remade as Taxi No. 9 2 11: Nau Do Gyarah (2006) See more »

Soundtracks

Ode to Joy
(1826)
by Ludwig van Beethoven (as L. Beethoven)
Arranged by Sidney Carlin
See more »

Frequently Asked Questions

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User Reviews

 
A commercial film that's actually subtle
15 April 2002 | by Rogue-32See all my reviews

I imagined this was going to be one film from the previews I'd seen, but in reality it turned out to be another - a far more subtle experience than I had expected. A lot of the people in the packed theatre where I saw it apparently expected that other film too; they seemed disappointed when they'd left - they'd probably been expecting yer basic escalating violence, with us cheering for Jackson as the good guy and Affleck as the bad. Not a black and white movie (no pun intended), more of a karma sort of thing, with the two main characters learning from each other in ways they never realized they would (or needed to). And heavy-handedness is nowhere to be seen. Kudos for that alone.


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