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The Two Faces of January (2014)

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2:10 | Trailer
A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.

Director:

Hossein Amini

Writers:

Hossein Amini, Patricia Highsmith (based on the novel by)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Oscar Isaac ... Rydal
Viggo Mortensen ... Chester
Kirsten Dunst ... Colette
Daisy Bevan ... Lauren
Babis Chatzidakis Babis Chatzidakis ... Stall Keeper
David Warshofsky ... Paul Vittorio
Pat Hillard Pat Hillard ... American Hotel Guest
Ozan Tas Ozan Tas ... Hotel Grand Receptionist
Peter Mair Peter Mair ... Elderly Man at Hotel Grand
Helena Jinx Jones Helena Jinx Jones ... Elderly Woman at Hotel Grand
Omiros Poulakis ... Nikos
George Tzoganidis George Tzoganidis ... Heralkion Hotel Receptionist
Ioannis Vordos Ioannis Vordos ... Cafe Owner
Panagiota Stavrakaki Panagiota Stavrakaki ... Landlady
Stella Fyrogeni Stella Fyrogeni ... Barmaid (as Stela Fyrogeni)
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Storyline

1962. A glamorous American couple, the charismatic Chester MacFarland (Mortensen) and his alluring younger wife Colette (Dunst), arrive in Athens by boat via the Corinth Canal. While sightseeing at the Acropolis they encounter Rydal (Isaac), a young, Greek-speaking American who is working as a tour guide, scamming tourists on the side. Drawn to Colette's beauty and impressed by Chester's wealth and sophistication, Rydal gladly accepts their invitation to dinner. However, all is not as it seems with the MacFarlands and Chester's affable exterior hides darker secrets. When Rydal visits the couple at their exclusive hotel, Chester presses him to help move the body of a seemingly unconscious man who he claims attacked him. In the moment, Rydal agrees but as events take a more sinister turn he finds himself compromised and unable to pull himself free. His increasing infatuation with the vulnerable and responsive Colette gives rise to Chester's jealousy and paranoia, leading to a tense and ... Written by Production

Plot Summary | Add Synopsis

Taglines:

A mysterious encounter. A dangerous past. A deadly secret.

Genres:

Romance | Thriller

Certificate:

12 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

UK | France | USA

Language:

English | Greek | Turkish

Release Date:

26 June 2014 (Netherlands) See more »

Also Known As:

As Duas Faces de Janeiro See more »

Filming Locations:

Istanbul, Turkey See more »

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Box Office

Opening Weekend:

$552,137 (United Kingdom), 18 May 2014, Limited Release

Opening Weekend USA:

$43,116, 28 September 2014, Limited Release

Gross USA:

$506,067, 19 December 2014
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Principal photography began August 2012 in Athens, Crete, Istanbul, and London's Ealing Studios. Identifiable locations include the Küçük Hasan mosque on Chania harbour, a nearby café and the Grand Arsenal in Plateia Katehaki, the ruins of Knossos near Iraklion, and the Grand Bazaar in Istanbul See more »

Goofs

Before entering the ruins, it is supposedly dark, and rainy. The shadows on the ground however tell another story. The sharp shadows suggests the scene is in broad daylight, and is just darkened to suggest the sudden thunderstorm. See more »

Quotes

Chester MacFarland: I'm sorry I disappointed you.
See more »

Connections

Version of Die zwei Gesichter des Januar (1986) See more »

Soundtracks

The Two Faces of January (Score)
(uncredited)
Written by Alberto Iglesias
See more »

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User Reviews

 
Bare-faced Greatness
7 June 2014 | by robinski34See all my reviews

A compelling throwback to the suspenseful thrillers of 60 years ago, Two Faces of January is as stylish a film as you will see from any decade since talkies began. Reminiscent of Hitchcock in his 1950's pomp, but without the melodrama, writer director Hossein Amini's interpretation of Patricia Highsmith's novel is beautiful to look at. The European locations evoke an idealised period of foreign travel, yet the film has an underbelly that scrapes the surface of gritty realism in the way that Hitchcock did not. The result is an involving slow burn with flashes of action only when warranted. The heart of the film is the evolving relationship between its three stars, who quickly become tied together. No McGuffins here, only solid plotting and convincing events used effectively to advance the story. The central performances are compelling and highly accomplished. Oscar Isaac must now be on the verge of the A-list after following Llewyn Davis with his excellent turn here, and Kirsten Dunst steps out of the shadow of teen movies and blockbuster love interest with a beguiling performance in the role of Colette. But Mortensen is the emotional engine whose misfiring character, MacFarland, pushes the plot forward with stuttering steps. His performance should be considered a career best as he embraces all of MacFarland's flaws and lays them bare for the audience to great emotional effect. After such an assured and beautifully realised performance behind the camera, there can be little doubt that Hossein Amini's future is likely to be in the director's chair, and his next project should be awaited with keen anticipation.


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