Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
A war-hardened Crusader and his Moorish commander mount an audacious revolt against the corrupt English crown in a thrilling action-adventure packed with gritty battlefield exploits, mind-blowing fight choreography, and a timeless romance.
Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.
"Widows" is the story of four women with nothing in common except a debt left behind by their dead husbands' criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.Written by
Twentieth Century Fox
Top-notch talent, often violent, taut until... it isn't
It would be hard NOT to recommend this film simply based on the top of the line actors here. Seeing Viola Davis and Liam Neeson as passionate lovers might be worth the whole film. Michelle Rodriguez for once doesn't play the Michelle Rodriguez character (someone else does); you might almost mistake her for America Ferrara initially. Duval plays in a familiar register but he does it well; Farrell is workmanlike but in an unfamiliar role. Etc.
As for the story, it is wound tight for most of the film, including scenes of violence worthy of (and not always far from) Tarantino. There is also a theme - almost overdone these days - of women discovering themselves through transgression. And there are some very sexy scenes.
Strangely though, the film goes seriously off-track at the end, almost as if the screenwriters ended up in a hurry or just didn't care anymore. Except for one applause-worthy moment, the ending feels cursory and leaves some pretty obvious questions unanswered. Which is downright strange for such an otherwise tightly written film. To put it another way, for much of the film it's 8 or 9 star, then in the close it's 3 or 4.
I'm surprised honestly some of the high-powered talent here didn't demand some rewrites. As it is, you'll probably enjoy much of it (unless you can't stomach violence) and certainly if you're the kind of viewer who just lives for a few good moments between real pros, you've got them here. But it's an incomplete experience in the end.
74 of 128 people found this review helpful.
Was this review helpful to you?
| Report this